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was my first. And it is becoming a pattern in that I find it hard to assess and evaluate the novel and my reading experience after I finish Kunzru’s work, and also that my evaluation changes over time. I started writing this review mildly ambivalent about the book, enjoying its cleverness and meditations but feeling flat emotionally and left with a need for greater coherence and climactic payoff, but birli I worked through my thoughts, my understanding and appreciation deepened for Kunzru’s craft, even of the things I liked less.
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The reason I read this book - you may laugh - is because it made me think of Haruki Murakami. Derece the synopsis but the author's name.
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However, this thought-provoking book ends on a note of hope, at the end, bey again the narrator wakes in his own bed, but this time with a view that the world of mutuality and ties is İnternet sitesi actually the more genuine (in all senses) world than the nihilistic (if futuristic) world-view of Anton
It's not much, but I hayat say that the most precious part of me isn't my individuality, my luxurious personhood, but the web of reciprocity in which I live my life.
Paranoid and brooding British-Indian writer’s block writer and unreliable narrator who believes he's being monitored by hidden surveillance cameras goes on dreary winter walks and başmaklık a midlife crisis staying in a villa on the same lake in Berlin where German poet Heinrich von Kleist topped himself in November 1811 and where the Nazis held the Final Solution Wannsee Conference in 1942, then gets mind-fucked by an zir-right nihilistic TV producer with a 1930's undercut, becomes obsessed with far-right content and conspiracy theorists on the genel ağ, tracks him to Paris then stalks him on an island off the coast of Scotland and ends up having a mental breakdown, before returning to New York to rekindle his relationship with wife & child and eventually celebrate Hillary Clinton being elected to The White House, but watches in horror kakım a Trump presidency takes hold and kicks him in the guts instead.
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The first half of the book for me was a bit less compelling for me and harder to read, but it was entirely necessary and the seeds planted sprout vines that descend throughout the text. We are introduced to the writer narrator, entering the Deuter Center for the writing fellowship facing a professional and existential crisis. The narrator is highly self-aware, and being in his head we vacillate between his selfishness, ego, insecurity, hunger for freedom, a heady mix that interacts with his depression and writer’s block. There are some interesting asides and anecdotes – the burayı kontrol et trip down memory lane into East Berlin and controlled life under Stasi was FASCINATING – but I could get wearied by some of the immersion into German literature and philosophy, although some of that was simply because I was less familiar with the references and it could break my focus to try and outside the text understand what was being referenced.